Wednesday, 30 July 2008
Imran Qureshi
Alpa Mistry
Each piece is individually designed and hand-woven on a 24 shaft George Wood dobby loom. The colours are translated into hand-dyed silks and then finely woven in sateen and plain weaves, creating textile pieces with contrasts of sheer and solid fields of colour. Simple and serene to fun and quirky. Check out the wares at her website .
Nilofer & Shilo Suleman
Each character has a fixed personality but the plot is never static. There are twists and turns. There is love , lust and dilemmas to overcome. Check out more of Nilofer's work at her website .


The Sulemans live and work in Bangalore.
Friday, 25 July 2008
Dr.Vivek M
I have taken AGES to put up this interview and I’m not too proud of my procrastination but I can assure you that, it is well justified. Even so, here it is - an interview with a man who is an alarmingly astute Photographer and intriguingly enough, a professional doctor as well. I was blown away by how powerful his images were. Each of them holds a narrative, a poignant story waiting to be told in a series of events captured in their one singular moment of existence. Without further ado – Dr.Vivek M .
What was it really like, chucking your job as a surgical intern to become a freelance photographer?
It was a big decision, especially in
Was there a specific moment that inspired the change in career?
I was 27, married and almost gave up on pursing photography as a profession because of the odds of making a living out of it. But Lavannya, my wife and architect, unconditionally promised to support me when I followed my dreams. I think this was this strength that made me go ahead.
How does it personally affect you when you document the lives of other people?
It does affect you especially when you shoot marginalised communities. As a person you understand the hardships of their everyday life and it in turn reflects on things that you have always taken for granted. I prefer to be a freelance photographer because I don't want to simply 'work' on a documentary and get over it. I choose the subjects that I am interested in, that affect me, that move me and then photography happens naturally. And I truly hope that my photography serves up to some purpose, directly or indirectly.
Have you ever made a personal connection with any of the people that you photograph?
My photography is always preceded by a sincere attempt to connect to the subjects involved. Gaining their trust is the most important thing, I feel. Once a bonding is formed and a trust is established, photography is a mere ritual. During a course of a documentary I always make plenty of friends.
What are the other ways in your opinion for artists to get involved with humanitarian causes ?
Artists could make a huge difference in brings issues to the forefront. All they have to do is to spend a little of their time and creativity to become a voice for the less fortunate.
What do you do for fun?
Well, when I am not doing assignments I go on treks in the
Self portrait at coffee house,Bangalore
What are your greatest influences & how do they influence what you do?
I have been influenced by different photographers at different points in time. I am a great fan of Raghu Rai and Raghubir Singh's work. Every time I look at their work I feel inspired to pick up the camera and go shooting! Raghubir Singh's book, A way into
Whats a day in the life of Vivek M like?
Each day is different. If I am not travelling or editing pictures, I am researching my next story. But many days in the month are spent lazing around, reading and concocting impractical projects.
Do you have any words of wisdom for others who wish to get into photography?
Photography is many a media rolled into one. It has immense possibilities and potential. If you think you are really passionate about it, don't give it a second thought.
What are your future plans?
I don't think too much into the future. Right now I am preparing for a group exhibition opening in the city and working on another one this November, both supported by the Goethe Institute. But I truly want to get back into following my personal projects which I haven't done in a while.
Thursday, 17 July 2008
Champa


There are a couple of things that drew me to artist Champa Mohan's pieces , one of them being the neon colours typical to 'street art' (usually political posters) found in India . (It's also interesting to note that the subject of her prints are the characters of the Ramayana.) The other being the patterns she incorporates into her prints , which is a woodcut tradition. The first image has the kolam on it and I'm surprised that contemporary graphic designers have more or less over looked the very cool , complex , symmetrical quality of kolams. Except maybe Tukral & Tagra. Those are some cool artists. Images from here
Ghulam Sakina
Ravikumar Kashi
Ravikumar Kashi was born in Bangalore in 1968. He completed his M.F.A. in Printmaking from Faculty of Fine Arts, M.S. University of Baroda in 1990. In 2001 he studied handmade papermaking under J. Parry at the Papermaking Resource, Glasgow School of Art, Glasgow. The sculpture “Books” is a set of 30 books cast in paper pulp with text and images. “Painting has a different language. The medium of paper is personal and it allows you freedom. You also associate paper with writing which is why I chose to do paper sculptures,” says Kashi. Images from here.
Sunday, 13 July 2008
Yasmin Sethi




Sangeeta Sandrasegar
Sharmi Chowdhury
Apnavi Thacker
Born in Mumbai, India and brought up in Geneva, Switzerland, Apnavi Thacker grew up benefiting from two very different cultures. Apnavi is a self-taught artist, although she gained valuable knowledge and experience during her two years of training under the guidance of Bose Krishnamachari.Her work addresses such issues as the possible link between a woman and her self-confidence and level of comfort with her sexuality, and the impact of urban development on the environment. Her work retains a focus on street art. Images and text from here.