Friday, 25 April 2008
Summer is here
Interview : Mekhala Bahl


Mekhala Bahl is a poet with a paintbrush and her canvas is a playground of obscured dreams, thoughts and people. She attempts to capture the intangible fuzziness of romanticized memories through pastel abstraction done to perfection. Her techniques are a schizophrenic symphony of her nostalgia, in the use of fine lines , graphic elements and heavy impasto . Dissatisfied with just paint, she attempts silk, glass, plastic - beckoning the audience to touch her imagination, a step closer to actuality. As if to literally give her recollection form, she creates sculptures from candy floss. Bahl achieves a delicate balance with her impressive use of composition & her intuitive understanding of colour – their subtlety only surpassed by their complexity. What drew me in is the probability of perhaps finding my own personal experiences floating about in there, in limbo, a childhood penchant for searching for shapes in clouds.
Several moments. Cartoons, dreams, memories, the material I work with, nature, and probably most of all – traveling. Usually a very stimulating experience, in terms of difference in landscape, having a chance to look at art in museums and galleries in another part of the world, working in another studio at art residencies and simply the idea of allowing thoughts and ideas to form while being away from my regular work environment. A sense of stillness or atleast calmness in my mind also helps my works process flow smoothly.


Do the colour stories in your paintings happen consciously or do they gradually evolve to look like they do?


I think the art scene in
If your paintings could be a song , which one would they be?
Karma Chameleon, less so for meaning of the song, more for the feeling of the sounds. This song is a great favourite of mine, so maybe it’s simply that and nothing more. If I were to really make an effort to answer your question, the song or rather the sounds or noise which comes to mind is a sort of mix of many different genres of music, some on fast forward, some in regular mode and a few stuck in the record player. Harmony being the aim and ‘noise’ being the journey.
Lots.
Is there anything you'd like to tell the readers of MASALA CHAI?
Not really. Though I’d be happy to answer any questions they may have.


Visit Mekhala Bahl's website for more of her artwork.
Wednesday, 23 April 2008
Janine Shroff
Gulzar Junaid


Seher Shah


Tuesday, 22 April 2008
Friday, 18 April 2008
Ruchi Bakshi

Forest Pottery Studio




Nimit Malavia




Thursday, 17 April 2008
Gurusiddappa G.E
Prantik Chattopadhyay




Wednesday, 16 April 2008
Suhasini Kejriwal
"Kejriwal works with photographic images of flowers, picturing them on canvas not so much with a view to their direct representation, or even to their clear legibility and comprehension, but by an emphatic and all-present deployment of a gentle filigree line without beginning or end. In the swirling dynamism of her line, Kejriwal emulates the traditional South Asian mendhi patterning used for decorating hands and feet in celebrations and festivals."
Tuesday, 15 April 2008
Sudhir Nayak & Tapash Biswas
"Sudhir Nayak and Tapash Biswas may have chosen couture over painting, but they both remain painters at heart.Their designs at the Lakme Fashion Week 2008 resembled painters canvas with strokes of mustard, beige, deep green, blue, brown and rust."From here.